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Movie Info

RATING:

R for strong pervasive violence and language, and some sexual content

GENRE:

Action/Adventure, Suspense/Horror

STARRING:

Wesley Snipes, Kris Kristofferson, Ryan Reynolds, Jessica Biel, Parker Posey

DIRECTOR/WRITER:

David S. Goyer

DISTRIBUTOR:

New Line Cinema

 

Please Note

In providing movie reviews on our site, CBN.com is not endorsing or recommending films we review. Our goal is to provide Christians with information about the latest movies, both the good and the bad, so that our readers may make an informed decision as to whether or not films are appropriate for them and their families.

MOVIE REVIEW

'Blade: Trinity'

By Jerry Langford
Reviewer, MovieGuide Magazine

CBN.com - Blade: Trinity is the third feature from the popular comic-book-turned-movie-franchise series. Blade (played by Wesley Snipes) is the central, conflicted hero who is half-vampire and half-man. This gives him super strength, fighting abilities and a vengeance to rid the world of evil vampires. Blade partners with his aging human sidekick, Whistler (played by Kris Kristofferson) and uses a vampire vaccine so that he can fight the vampire underworld and its demonic hierarchy.

Blade: Trinity, Blade teams up with a younger generation of human fighters known as Nightstalkers (not exactly an original name). Whistler’s illegitimate daughter, Abigail (played by Jessica Biel), and a former vampire named King (played by Ryan Reynolds) rescue Blade after he is arrested for the murder of a human. The human turns out to be “a familiar,” a human in alliance with the evil plans of the vampire underworld.

Blade learns that the vampires have awakened the first and original vampire from his centuries-old slumber. Named Drake (for Dracula), this vampire is described as “born perfect” and nearly all-powerful, though his vampire origins are left intentionally vague. Initially perturbed by the fact that they even woke him, Drake decides to help the band of vampires destroy their arch-nemesis, Blade. Gun-battles, sword-fights and roof-jumping chases lead up to the climactic fight between the two powerful characters. The humans have created a mutant virus strain which, when injected into the evil Drake, will destroy the creature and cause a death vapor to kill any vampires in the area at the time. However, they only have enough virus potion for one injection, only one shot at the creature’s destruction. The humans are also concerned that the virus death-cloud will take Blade’s life in the process.

All this probably sounded great on script and storyboard, but Blade: Trinity is a disappointment of epic and comic book proportions. There are several reasons for this failure, but the obvious ones are these – the movie’s director, its Villain and the unoriginal ideas in the story.

David S. Goyer wrote all three Blade stories, and Blade 2 was one of those few sequels that turn out to be far better than its predecessor. This, however, is Goyer’s first time to direct a Blade movie and the awful, uninspired results probably can be credited to him. To be fair, Goyer’s bio says he went from Generator Operator (on 2002’s Insomnia) to director of Blade: Trinity practically overnight. So Blade: Trinity is further proof that a talented writer does not necessarily guarantee a capable director.

Consequently, this third movie is plagued with experimental split screens and long scenes of characters preparing hardware, weaponry and dressing in the latest (and fashionable) fighting gear. The driving soundtrack is ramped up to jarring levels during fight scenes to make them seem more interesting. Unfortunately, even that feeble attempt cannot hide a bad story.

Drake as the all-powerful villain of Blade: Trinity is one of the most boring, wimpy and unbelievable villains in some time. Most action and science fiction movies, as true fans will tell you, are nearly entirely dependent upon a great villain. Fans will recall movies like Aliens, Stargate and Predator as having villains which are a genuine threat to the protagonists. In fact, Blade 2 was so successful because the villains (vampires-turned-zombie creatures) terrified vampires and humans alike. This movie, however, shows the villain running away from Blade in the middle of the story! This silly scene defuses any notion of a real threat when the all-powerful villain runs away from the hero. Dominic Purcell portrays Drake, and he is about as frightening as an out-of-work actor. Goyer tries to help by giving Drake a booming voice once in awhile, but this just makes him laughable.

Finally, Blade: Trinity is just a re-hash of so many other movies before it. Action movie fans will recognize borrowed characters and choreographed scenes from television shows and more successful movies.

It is possible that Blade: Trinity only has one or two original ideas in it. Audiences will be entertained to some extent, but those nagging we’ve-seen-all-this-before thoughts will bother you throughout the movie.

Snipes looks menacing enough as Blade, but he lacks the energy and credibility he once delivered to this role. He will probably think twice before returning to this franchise. Kristofferson (at 68) barely gets through his part as Whistler. His age is showing and his raspy voice is going fast. It is sad to watch this fine actor go out this way.

As vampire movies go, Blade: Trinity, of course, contains an excessive amount of “cartoon” violence. The villains are not human, so the violence remains surreal or hyper-real, and not seemingly as offensive as some historical war movies. Even so, Goyer arranges for Blade and Whistler to shoot, kill and destroy countless humans (acting as policemen and SWAT teams) who close in to arrest Blade. This idea flies in the face of Blade’s commitment to kill only vampires and protect humans whenever possible. It is yet another story problem that surfaces in this remake.

Blade: Trinity is not just a disappointment to those who may have enjoyed Blade 2’s characters and story progression, but it is a low-water mark for the series in that it relies heavily on coarse language and sexual references throughout. New characters Abigail and King are clearly an attempt to infuse new blood into an aging franchise. As the movie skews younger, the story skews juvenile, and the mess Goyer has made cannot be fixed with a transfusion.

Address Comments To:
Robert Shaye and Michael Lynne
Co-Chairman/Co-CEO
New Line Cinema
116 North Robertson Blvd., Suite 200
Los Angeles, CA 90048
Phone: (310) 854-5811
Fax: (310) 854-1453


NOTE from Dr. Ted Baehr, publisher of Movieguide Magazine: For more information from a Christian perspective, order the latest Movieguide Magazine by calling 1-800-899-6684(MOVI) or visit our website at www.movieguide.org. Movieguide is dedicated to redeeming the values of Hollywood by informing parents about today's movies and entertainment and by showing media executives and artists that family-friendly and even Christian-friendly movies do best at the box office year in and year out. Movieguide now offers an online subscription to its magazine version, at www.movieguide.org. The magazine, which comes out 25 times a year, contains many informative articles and reviews that help parents train their children to be media-wise consumers.

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